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Maze Runner: The Scorch Trials: EW review

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Fanpup says...
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It was called 'Maze Runner: The Scorch Trials': EW review | EW.com
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Maze Runner: The Scorch TrialsWhat happens when the laws of YA franchises dictate that an amusing and relatively straightforward movie called The Maze Runner must
Maze Runner: The Scorch TrialsAction, Sci-fi, ThrillerPG-13
What happens when the laws of YA franchises dictate that an amusing and relatively straightforward movie called The Maze Runner must2015-09-16
Genre: Action, Sci-fi, Thriller; Starring: Dylan O\'Brien, Kaya Scodelario, Thomas Brodie-Sangster; Director: Wes Ball; Release Date Limited: 09/18/2015; MPAA Rating: PG-13
What happens when the laws of YA franchises dictate that an amusing and relatively straightforward movie called
, the answer is to lose the maze, keep the running, drop any trace of the
-inspired social tension, and fill the rest in with boilerplate dystopian YA tropes and
Though the plot moves at a lively clip with some moments of genuine tension,
, the second film based on James Dashner’s novels, is a textbook case of diminishing returns in a young-adult franchise, which start off with the familiar ideas — young people trapped in an oppressive world — and add in a single unique element — the original film’s maze. The problem arises when the story resolves that twist and the characters (played by returning stars Dylan O’Brien, Ki Hong Lee, and Kaya Scodelario) are forced to continue exploring the ruined world — in this case, an Earth that’s been
is that it — at least in the first two acts — didn’t care all that much about the world outside the labyrinth. The maze and the boys’ stitched-together society were enough to tell a compelling story, even if the all-boys-and-one-girl dynamic was oddly devoid of any sexuality. (The same applies for all of
wanders between YA cliches — there’s a Resistance, but it’s unclear what they’re resisting — and zombie movie tropes, with the obligatory
scene. All of which would have been acceptable if the characters were given motivation beyond “We need to go here” and “I need to save her.” There’s also the nagging frustration that most of the mystery at the heart of the movie could be resolved with a good, honest conversation between the characters.
It’s enough to make you wish they’d just go back into the damn maze already. C
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